Melodyne assistant is the most affordable point of entry into the incomparable world of Melodyne. Correct and optimize monophonic or rhythmic audio material in the manner only Melodyne allows. Perfect the intonation and timing via macro or in a more targeted way by hand. Transpose, move or erase notes, alter their volume and formant spectra, or copy them to another location.
Quickly to Hand
Melodyne assistant operates directly within your audio workstation. You hear all edits in the context of the other tracks of your project and can use as many instances as you wish and your computer will allow. And for the swift editing of a sample between times, you can open Melodyne assistant in stand-alone mode without having to start up your audio workstation first.
Open For Upgrades
Melodyne assistant offers you a great deal of usefulness for very little money. And this investment makes still more sense if you wish to upgrade to Melodyne editor (also polyphonic material) or Melodyne studio (multi-track) at a later date. Attractive upgrade options are available to both. So you can't lose by entering here. The small step to Melodyne assistant could become a giant leap in the future.
Just as the big Melodyne studio, Melodyne cre8 is a multitrack program. Up to eight audio tracks can be recorded and edited (unlimited number of tracks in Melodyne studio). Although you cannot handle polyphonic recordings or complete songs in cre8 (only possible in Melodyne studio), the high quality Melodyne algorithms and macros are available nevertheless: from minor corrections of intonation to extreme pitch shifting and from the subtle modification of grooves to drastic time stretching.
Melodyne cre8 is ideal for creating a complete choir arrangement from a single lead vocal. Just copy the vocal to the other tracks, select a key and move the additional voices in pitch. Melodyne cre8 will automatically adjust the new tracks to the correct key and give you authentic sounding backing voices within a few minutes – if you wish even with slight deviations in pitch, rhythm and colour to make them sound even more realistic. In the same way you can create a string quartet from a solo violin or you let your brass section sound a little fatter. The possibilities are endless!