Behringer T-1 Studio Tube Condenser Microphone

 

   

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Since the early days of recording, sound engineers have been searching for the best-sounding mics for recording acoustic instruments and the human voice. The resounding choice of professional recordists around the globe has been the tube condenser microphone. Why? Because nothing compares to the sound captured by a good tube condenser microphone — so open, warm and full of character.

But tube mics can wipe out a home-recording budget faster than you can say “phantom power supply.” That’s why we’re so very proud to present our new T-1 and T-47 microphones. These mics exemplify our commitment to quality and value — now anyone who can aff ord a decent live microphone can have a studio-grade, tubepowered condenser mic for about the same price.

Classic Tube Sound

The sound of tubes is undeniably rich and smooth. At the heart of each of these mics is a hand-selected 12AX7 tube, which has been specifi cally designed to give these microphones their incredible sonic character. One advantage tube condensers have over their solid-state counterparts is they are not subject to the rapid rise of odd-order harmonics, which the ear perceives as highly unmusical. Even when subjected to high sound pressure levels, the T-1 and T-47 mics react in much the same way the human ear does.

T-1 and T-47 have a sensitive side

Another advantage is that tube mics typically outperform transistor designs when it comes to subtle signal levels, such as environmental ambience. The T-1 and T-47 pick up every nuance of your performance, capturing an openly transparent slice of time and space — with just the right amount of tube warmth. Now you’ll be able to justify that new set of strings for your acoustic guitar (because you’ll hear the diff erence), and you’ll marvel at the sparkling highlights coming off your wind chimes.

But I Need a Good Kick-Drum Mic

While these mics can handle input levels as high as 130 dB, the T-1 comes equipped with a switchable -20 dB pad for the extremely high transients generated by kick-drums, heavy-metal vocalists and mortar launchers. With its 20 Hz to 20 kHz frequency range, the T-1 can handle all the low-frequency content you can throw at it, and still provide all the defi nition your sound source deserves.

Cardioid Polar Pattern

Both of these mics feature a tight cardioid (heart-shaped) pattern, which reduces the pickup of sound from the sides and rear for improved source isolation. The included custom shock mount fi ts all standard microphone stands and provides further isolation from external sources of vibration, such as sounds transmitted through fl oor joists, outside traffi c, etc.

Dedicated Power Supply

The included BEHRINGER PSU-T provides the supply voltage for the tube preamplifi er and houses a LOW CUT switch that can be used to reduce the low frequency response, if so desired. The included 7-pin multi-core cable supplies power to the mic and routes the audio signal to the XLR socket on the PSU-T.

Value

When it comes to value, BEHRINGER has always been an industry leader. The T-1 and T-47 tube condenser microphones take that legacy to the next level, providing studio-grade quality at incredibly consumer-friendly pricing. These great sounding mics are so aff ordable, you’ll want one for main your vocals, one for backup vocals, another for the bass rig, another for...