Neumann TLM103MT Set Cardioid Condenser Microphone

 

   

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The New Standard

Manufactured as an affordable, updated alternative to the venerable U 87 introduced in 1997, the TLM 103 has since become a modern classic in its own right. Today, it's among the microphones that defines the bar to which contemporary studio mics are measured against. The classic tapered headgrille design imparts a distinctive Neumann look.

A cardioid-patterned microphone with a large diaphragm condenser capsule, its derived from the legendary Neumann U 87's classic K67/87 capsule. However, it delivers a slightly more modern voicing with wide presence boost for frequencies above 5 kHz. It offers a very direct-yet-refined sound that's great for vocals, and enables solo instruments to effortlessly pop out of the mix. Of course, it also comes with the famous authoritative midrange that has become the hallmark of Neumann mics and made them the top "go to" microphones used studios worldwide. A unique feature is its impressively deep-yet-controlled low end, great for sonorous voices as well as powerful bass instruments.

Technical Excellence

It's setting new standards in technical performance as well, with an incredibly low self-noise of only 7 dB-A, putting it among the quietest mics available. And its high 23 mV/Pa sensitivity ensures ultra-low noise even used with budget preamps and audio interfaces or vintage tube gear. Simultaneously, it can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. The mic's vast 131 dB dynamic range makes it a very easy-to-use studio mic, as it'll capture anything from a soft whisper to a thunderous bass drum with no noise or distortion. It's equipped with a transformerless output stage, minimizing transmission losses and ensuring a very immediate and uncolored sound that's true to the original, plus a clear, powerful bass response, even at the highest signal levels.

Applications

It was primarily designed for project studios and broadcast use, but thanks to its remarkable performance it was soon embraced by renowned studios as a more contemporary-sounding alternative to the U87, e.g.: for speech, vocals, drums, guitar amps, and piano. It's also often used as a spot mic in classical recordings, e.g.: for cello and double bass.

*Stand and Microphone Cable NOT included